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Bears With Benefits · March 2025 to now

I set the rules. My Codex agents handle the repetition.

Role
Performance Marketing Manager
Hands-on work
Performance, campaign visuals, CRM, and packaging
Creative systems
Scalable localisation, production workflows, and final visual QA
A stakeholder approves one source market. I set the rules for my Codex agents, then complete final QA before the files are handed off.

Every approved design had to be adapted across more languages and formats. Manually copying, pasting, and retyping text into each banner or ad left too much room for error.

I first built a Figma plugin around a structured CSV input. It checked localised copy and placed the approved text into the correct formats, removing much of the repetitive production work.

But copy did not always arrive in one format. Stakeholders shared it through spreadsheets, Slack canvases, and Figma comments. Asking everyone to follow one strict structure was no longer practical.

I began using Codex and created several agents, each responsible for a different part of the process. They collect and organise the inputs, prepare production tasks, and support quality checks across languages and formats.

The system handles the repetitive steps. I remain responsible for the source design, creative decisions, and final review.

01

Find more than one way into the product

My first focus was performance creative. The same jar could not be the idea every time, so I worked with Performance Marketing to build new hooks around benefits, audience tensions, seasonal moments, and offers.

Each ad still needed a simple reading order: one thought, one reason to care, and one next step. That gave us genuinely different directions to test, not simply new styling on the same layout.

The most debated direction was “No shame in the pH game.” I pushed the idea through a long internal review. Once it was approved and launched, it performed especially well.

Bears intimate-health ad with the headline No shame in the pH game.
Bears sleep supplement ad built around the difference between hours slept and feeling rested.
Bears Summer Sale ad showing a person looking through pink binoculars at three supplement jars in the water.
Bears Christmas promotion with three supplement jars wrapped in red ribbon and the phrase Ho, ho, glow.

02

Hot Summer left the feed.

For Hot Summer, I developed a visual direction built around clear blue skies, warm skin, pink beach props, and product-led close-ups.

The visual system then had to work across the homepage, paid formats, CRM, motion, and campaign photography. Each channel needed a different composition, but the colour, atmosphere, and product focus kept the campaign connected.

Two models holding Bears supplements beside the sea in the Hot Summer campaign world.
Appetite Control supplement jar balanced on mint bikini ties at the beach. Transparent Bear Necessities pouch held in front of the sea through a pink-and-cream swim ring. Model in a pink swimsuit holding a Hair and Biotin supplement jar at the beach. Tan Vitamin supplement jar resting on a model wearing pink swimwear.
Campaign motion and product-led photography

CRM

The campaign continued in the inbox.

I carried the Hot Summer visual direction into email, adapting the hierarchy, pacing, and message for CRM while keeping the campaign recognisable across channels.

Hot Summer early-access email with a beach image, campaign offer, and a clear early-access call to action.
Early-access launch
Hot Summer last-chance email with the Appetite Control supplement, discount, urgency message, and early-access call to action.
Last-chance reminder

03

Put the supplement's function first

Daily Essentials brought the broader work into packaging. The range was moving from jars to pouches, and the design needed to make one thing clearer: what each supplement was for.

The older jars led with the mascot. On the pouches, I shifted the hierarchy towards the product name and key functions. Dosage, format, flavour, quantity, and dietary information then followed in a consistent order. Each pouch had to communicate its purpose quickly while still belonging to one range.

04

Make the method useful for the team

Once the repetitive process was clearer, I applied the same thinking to collaboration. I built reusable Figma components and clearer handoffs, started a biweekly creative review, and mentored a junior designer through CRM, brand consistency, and day-to-day production.

Reusable components preserve the method while formats, channels, and collaborators change.

The goal is not to automate judgment. It is to remove avoidable repetition so the team can spend more time on the decisions that shape the work.